Here’s something I came across in the CAA News (May 22, 2013). “It’s time to rethink art history for the digital age,” by Nuria Rodríguez Ortega. It’s old news (March 5, 2013) from The Getty Iris, but something I need to think about now. Digital art history. Good references and questions, interesting comments. But it isn’t clear to me what “digital art history” looks like or how one does it. Anne Helmreich’s response resonates for me. “This points to another opportunity afforded by the multi-layered digital environment—that of including both one’s scholarly conclusions as well as the evidence on which these conclusions are based. This can be a daunting proposal—the equivalent, perhaps, of putting one’s file drawers out for public viewing. It also means making easily accessible a document that may have taken years of sleuthing to track down and identify. But it is also an exciting opportunity: such shared documentation can become a platform around which a robust and dynamic scholarly community can be formed. It also can help to push forward the development or adoption of intellectual argument in a more rapid (and global) fashion than was previously possible.” This is exactly the sort of thing we were discussing in the Domain workshop.
Here’s a great post on getting started in Digital Humanities by Lisa Sprio for the Journal of Digital Humanities (2011).